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(web site)
Sound designer, recording and production engineer, synthesizer/sampler programmer, technical coordinator, and archivist for one of the most prolific composers of our time. Coordinate technical information for ensembles and orchestras worldwide. Prepare presenters with the necessary materials (such as sound design packages and synthesizer/sampler design packages with software) as to create a specific production standard when performing the music of John Adams.
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Premiered in October 2005 at the San Francisco Opera. Other performances include Netherlands Opera (June 2007), Chicago Lyric Opera (December 2007), and Metropolitan Opera (October 2008, part of the MetHD series). "Purely as an experience in sound, the Met's 'Atomic' was a triumph." ~Alex Ross, The New Yorker \ Full article
"The results are ethereal, arresting and, in the words of General Manager Peter Gelb, 'make the Metropolitan Opera shake as it has never before.'" \ Groundbreaking Sound Design
WondersAreMany.com, The Making of Doctor Atomic
Wonders Are Many is a behind-the-scenes documentary that tells the story of making a grand opera about the atomic bomb.
Grey is the sound designer for John Adam's new opera, A Flowering Tree, which will be performed by the Los Angeles Philharmonic, and conducted by John Adams, on May 15, 2009, at Walt Disney Concert Hall. (web site)
The piece, directed by Peter Sellars, will have its New York premiere on Aug. 13, 2009, as part of the Mostly Mozart Festival at Lincoln Center. (web site)
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Grey and Peter Sellars will join forces to create a new staging of Othello, starring Philip Seymour Hoffman (Iago) and John Ortiz (Othello). The work will premiere at the Wiener Festwochen (Vienna, Austria) in June 2009, then proceed to the K15 Festival in Bochum, Germany. In the fall of 2009, the work will be staged in New York City. Grey will not only sound design the production but will also create a "sonic set," where surround-soundscapes, live audio processing and altered sonic-states will be composed.
Winner of the Pulitzer Prize in Music as well as three Grammy Awards.
Designer of a massive surround sound system including Max/MSP programming for New York Philharmonic premiere of John Adam's "On the Transmigration of Souls" commissioned by the N.Y. Philharmonic in 2002, in memory of the September 11, 2001 attacks. Concert halls have included Avery Fisher Hall (New York City), Royal Albert Hall (London), Sydney Opera House Concert Hall (Sydney, AUS) and the Concertgebow (Amsterdam).
Sound Designer, 2001. Critically acclaimed staged work with director Peter Sellars and soprano Dawn Upshaw, mezzo soprano Lorraine Hunt Liberson and baritone Willard White. Venue locations include Chatelet in Paris (world premiere), San Francisco Symphony at Davies Hall in California (American premiere), Lincoln Center in New York City, Barbican Center in London, Australia, Greece, Germany, Italy and Netherlands.
Vocal Recording Engineer for Nonesuch Records, 2001. Soprano Dawn Upshaw, mezzo soprano Lorraine Hunt Liberson and baritone Willard White.
Recording engineer (1992), Electra/Nonesuch Records, CD-79311-2.
Sound designer for production, electronic loop engineer at Skywalker Ranch, California. Electra/Nonesuch Records, CD-79465-2.
Recording (Technical and co-recording engineer). Organized and recorded Avanti! musicians in Helsinki (December 1996), final mix at Skywalker Ranch (June 1997). Electra/Nonesuch Records, CD-79473-2.
Opera Tour (Sound Engineer and Assistant Sound Designer for the opera). Eight month tour included Cal Performances (Berkeley), Festival De Theatre Des Ameriques (Montreal), Lincoln Center (NewYork), Edinburgh Festival (Scotland), Helsinki Festival (Finland), MC93 Bobigny (Paris, France), and Hamburg (Germany).
Co-sound designer and technical engineer for U.S. tour that included the Kennedy Center, Lincoln Center (Alice Tully Hall), Chicago Orchestra Hall, Penn State Univ., Williams Center (Easton, PA), and University of Michigan.
(web site)
Work in close contact with many composers, performers and orchestras. Design sound reinforcement systems, install sound systems on location, and mix house sound (FOH) during performances. Recent tour locations have included Austria, Canada, China, England, France, Germany, Israel, Italy, Lithuania, Netherlands, Norway, Poland, Russia, Scotland, Spain, Turkey and most states within the U.S. Recent projects include Sound Designer for Dracula, The Music and Film. Kronos Quartet, Philip Glass and Michael Riesman tour/perform the original Philip Glass score to the 1931 film Dracula, starring Bela Lugosi.
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(web site) ("The music of the spheres," Telegraph UK Article)
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Working as the only worldwide technical consultant for Boosey & Hawkes. Sound design and synthesizer/sampler design for productions performing Boosey composers, for example: John Adams, Steve Reich, Jacob Druckman, Iannis Xenakis, and Michael Torke. Prepare technical packages, format and program synthesizer/sampler software, and work with presenters to produce respective composers' work. A very few of the production organizations include: Russian National Orchestra, Edinburgh Festival, Lincoln Center/NY Philharmonic, LA Philharmonic, San Francisco Symphony, London Sinfonietta, London Symphony Orchestra, Schönberg Ensemble, Ensemble Modern, Present Music Ensemble, Eos Ensemble, Finnish National Orchestra, Nürnberg Opera, Wiener Staatsoper, Festival de Radio France, London Royal Ballet, Pacific Northwest Ballet, Brooklyn Academy of Music, Bolkham Symphony Orchestra, Tallinn Philharmonic and Chorus (Estonia), and most large symphonic orchestras throughout the United States and Europe.
(Article)
Cast:
Barbara Hendricks
Julia Migenes
Roberta Alexander
Daniel Belcher
Topi Lehtipuu
Omar Ebrahim
Donald Maxwell
Derek Lee Ragin
(web site)
Technical consultant designing and executing large live electronic music environments for performances and recordings. The Paul Dresher Ensemble includes up to eight musicians each with an extensive electronic music workstation environment. Work involves preparing musicians' environments for new works and archiving older compositions. Work with commissioned composers to help design their compositional visions.
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