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Biography

Originally from San Francisco, Mark Grey made his Carnegie Hall debut as a composer with Kronos Quartet in 2003. His solo, ensemble and orchestra music has been performed in many venues such as the Sydney Opera House Concert Hall, Théâtre de la Ville in Paris, Barbican Centre in London, Het Muziektheater in Amsterdam, Carnegie Hall’s Zankel Hall, Philharmonie Hall in Warsaw, UNESCO Palacio de Bellas Artes in Mexico City, Symphony Hall in Phoenix, Disney Hall and Royce Hall in Los Angeles, Atlanta Symphony Hall, as well as at the Ravinia, Cabrillo, OtherMinds, Perth International, Great Lakes and Spoleto festivals.

Mr. Grey has been commissioned by The National Opera of Belgium La Monnaie | de Munt Opera to write an evening length grand opera to premiere during the spring of 2016 in Brussels. The subject of the opera will be Mary Shelley's Frankenstein – to commemorate the novel's 200 year anniversary. A 35-minute symphonic version of the opera has been commissioned and premiered by the Atlanta Symphony and co-commissioned by the Berkeley Symphony, to premiere on 05 May 2016.

San Francisco Chronicle picked FRANKENSTEIN SYMPHONY in its top five classical music choices for 2016.

In 2016, a solo violin work for Jennifer Koh will premiere at the New York Philharmonic’s Biennial. In 2013-15, several other commissions were awarded by The Atlanta Symphony Orchestra, The Los Angeles Philharmonic, among others.

During a two-month period in the spring of 2011, Mr. Grey received three world premieres in three of the world’s great concert halls. The first work was for soprano Jessica Rivera and The MEME Ensemble, titled Ātash Sorushān (Fire Angels), a Carnegie Hall, Cal Performances and Meet The Composer co-commission, which premiered at Carnegie’s Zankel Hall. The libretto for this work was created by poet Niloufar Talebi. The second work, titled Mugunghwa (Rose of Sharon), for violinist Jennifer Koh, The Los Angeles Master Chorale, and chamber orchestra premiered at The Walt Disney Concert Hall in Los Angeles. Finally, Mr. Grey was commissioned by The Atlanta Symphony Orchestra to write a fanfare for orchestra celebrating Robert Spano’s Tenth Anniversary as Music Director and Donald Runnicles’ Tenth Anniversary as Principal Guest Conductor.

Grey was The Phoenix Symphony’s Composer In Residence for their 2007/08 season. He composed a 70-minute oratorio, Enemy Slayer: A Navajo Oratorio, for baritone, chorus of 130 singers, and full orchestra, which premiered in February 2008. The story of the oratorio was based on a Navajo creation mythology story. The residency was funded by Meet The Composer and ASOL's program Music Alive! In September 2007, a 10-minute full orchestra work was premiered during the residency period, titled The Summons. The oratorio was recorded for Naxos Records and released March 2009. Enemy Slayer: A Navajo Oratorio has also been performed at the Colorado Music Festival in July 2008 and in Salt Lake City in May 2009 with the Salt Lake Choral Artists.

Other recent commissions include works for The Los Angeles Philharmonic’s Minimalist Jukebox Festival, Kronos Quartet, Colorado Music Festival Orchestra, Leila Josefowicz, Paul Dresher Ensemble, The California EARUnit, and Joan Jeanrenaud (former Kronos Quartet cellist).

Grey was listed by the The Los Angeles Times – Faces to Watch 2006, Classical Music Section, by Mark Swed.

Bertoia I and II, a two movement composition, was included as part of Kronos' evening length program Visual Music, which has been performed at Theatre de la Ville (Paris), Sydney Opera House (Australia), Perth International Music Festival (Australia), Barbican Centre (London), Het Muziktheater (Amsterdam), Carnegie Hall (New York City), Royce Hall (Los Angeles) and Yerba Buena Center for the
Arts (San Francisco).

During her 2005/2006 season, violin prodigy Leila Josefowicz toured Grey's San Andreas Suite for solo unaccompanied violin as part of her recital program. Performances have been worldwide, including Barbican Centre in London, Warsaw Philharmonic Hall, Carnegie Hall in November 2005 and Ravinia Festival in the summer of 2006. As well, she recorded the recital program for Warner Classics, released April 2005. In the summer of 2006, Ms. Josefowicz premiered Grey’s violin concerto titled Elevation at the Colorado Music Festival
with conductor Michael Christie, and then at the Cabrillo Music Festival with conductor Marin Alsop.

In April 2009, Molly Morkoski premiered a new solo piano work titled A Rax Dawn at Symphony Space in New York City. In August 2009, Areon Flutes premiered a new flute quartet titled The Alluring Wave at the 2009 U.S. National Flute Convention.

In July 2005, Michael Christie premiered a new work for orchestra titled Pursuit. The work was performed as part of the Colorado Music Festival.

Grey's music can be heard on Naxos (Enemy Slayer), Joan Jeanrenaud's debut CD Metamorphosis on New Albion Records, NPR/Nonesuch Records/Carnegie Hall radio series Creators at Carnegie, and Warner Classics (Josefowicz, San Andreas Suite).

Over two decades as a sound designer, relationships have led Grey to work closely with such artists and organizations as John Adams, Steve Reich, Philip Glass, Terry Riley, Boosey & Hawkes Music Publishers, Peter Eötvös, Kronos Quartet, The Paul Dresher Ensemble, and many others.

Grey made history as the first sound designer for The New York Philharmonic at Avery Fisher Hall (On the Transmigration of Souls, 2002) and The Metropolitan Opera (Doctor Atomic, 2008; Nixon in China, 2011; Death of Klinghoffer, 2014; The Merry Widow, 2015; Bluebeard’s Castle/Iolanta, 2015; L’Amour de Loin, 2016). His sound design creations have been seen and heard throughout most major concert halls, HD simulcast theatres and opera houses worldwide.

During his attendance at the California State University at San Jose, both B.A. and M.A. degrees were awarded in Composition and Electro-Acoustic Music under the direction of former International Computer Music Association President and electro-acoustic music pioneer Allen Strange, along with composer Pablo Furman. Two unique musical lifestyles began to develop in composition and technical areas. While working as the first editorial intern at Keyboard Magazine, publishing technical materials and a monthly column from 1990 through 1996, he began to receive several awards for solo, chamber, orchestral and electronic composition.


 
 
 
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