Houston Grand Opera delivers powerful experience with “The Passenger”
New York Classical Review, July 11, 2014
"Breedt, Moore and Kaduce have full, shining voices. They sang with excellent articulation and beautiful sound.”
Perfecting the sound of THE SOUND OF MUSIC
Lyric Opera of Chicago blog, May 8, 2014
Maximum Minimalism at Disney Hall, Sequenza 21, April 12, 2014
"This is exciting music, fast-moving and full of energy and the keyboard synthesizer playing of Joanne Pierce Martin was especially alert and effective...After downshifting a few gears, Awake the Machine Electric sped up once more, building atension that was relieved only by its conclusion. As the applause began the composer was called up to the stage to shake hands with John Adams and tellingly, Mark Grey next reached out to the synthesizer player, as if acknowledging the concertmaster. Awake the Machine Electric is certainly aptly titled."
The L.A. Phil's Minimalism marathon, Los Angeles Times, April 10, 2014
"Grey's 'Machine' was the result of a trip to Perm, formerly Molotov, Russia. Once a center for Soviet munitions manufacture, it led Grey to the creation of a kind of musical Molotov cocktail, mercurial and madcap. Sometimes Coplandesque pastoral, sometimes chugging Adams-like and sometimes employing old sci-fi electronic sound effects, this is an addictive score ever changing from minute to minute."
Composition Reviews | Sound Design Reviews
Read Mark's Spring 2014 e-newsletter
"Mark Grey's score is perfectly crafted, impeccably paced,
beautifully scored." ~The